Below you can see some of my writing for the stage as well as past productions.

My writing has been performed at venues including Pitlochry Festival Theatre, Cork Fringe and by Ukraine-based ProEnglish Theatre. My work focuses on having a yap, a laugh and creating joy for all. 

Click here for a more in depth timeline of my writing so far.


  • The Meeting Room - ProEnglish Theatre Ukraine

    Amplifying Marginalised Voices

    Co-wrote The Pleasure Chapters (performed at Camden Fringe 2023), a devised feminist piece incorporating women’s circles and reflective audience dialogue.

    Contributed to Queer There and Everywhere (Prime Theatre), voicing a character in Women don’t burn fingers, an audio drama exploring queer resilience.

    Member of Campfire Theatre’s LGBTQA+ collective, developing Kink in Their Armour, a play challenging stereotypes about desire and identity.

    Published in Double Duck Magazine, a dyslexia-friendly multimedia platform, ensuring accessibility in literary arts.

    Women Don't Burn Fingers

  • Interactive & Immersive Storytelling

    Authored Swan in the Wall (SpringBok Production House, 2025), a play blending mythology with audience participation.

    Collaborated on The Daughters of Dún Iascaigh, a heritage walking tour that won a National Heritage Award (Ireland, 2021).

    Part of Broken Silence Theatre’s Playwright Hive (2025), experimenting with writing Screams from Atlantis. A story of brothers facing duty and freedom when face to face with a new cult in their small town in Ireland.

    Facilitated Tea and Tarot Coffee Morning (Theatre Deli), merging performance with participatory ritual for Pride celebrations.

    The Daughters of Dún Iascaigh,

  • Personal Truths & Political Visions

    Wrote the women who cried for a year (and counting) (scratch performance, 2024), a poetic monologue dissecting grief, silence, and catharsis.

    Assistant Producer for The Art of Ageing Well, a film-poetry hybrid amplifying older adults’ stories in Buckinghamshire care settings.

    Wrote and performed the women who cried for a year (and counting) (2024) - an autobiographical exploration of grief and female rage, developed through SoulSpire Arts' scratch nights, combining poetic monologue with physical theatre techniques

    Created narrative frameworks for The Art of Ageing Well (Imperial College NHS Trust) - designed interview questions and shaped real-life stories into a touring film-poetry production about resilience in later life

    Wrote and performed in The Navigator (Nenagh Children’s Film Festival 2021) – a magical realist satire reimagining St Brendan’s medieval voyage as a surreal TV talk show (Coffee N Chat), where historical myth collides with modern celebrity culture

    The Navigator